our work focuses on perception phenomenons and brain dynamism that enable us to retain memories of our experiences and perceive mind images, through which we can conceive an evolving reproduction of the external reality.

millions of images and sensations fleeting sank into our cerebral cortex enable us, also when keeping our eyes closed, alone in the mute obscurity of our consciuosness, to imagine what's happening around us.

our work hypothesis is that in the next future there will be machines capable to develop consciousness by themselves and establish interaction and adaptation to reality.
the software of these machines, as well as human mind, which is a spontaneous phenomenon of the organic brain, will be able to gain experience by itself, creating in its 'mind' a dynamical reproduction of the external reality with whom interact.

machines able to develop a spontaneous adaptive behaviour don't exist yet, so we can demonstrate our thesis only involving present computers in graceless or paradoxal imitations of the human mind activity.

our research tends to highlight the relations between what we perceive as natural or artificial, and also underlines the close interdependence linking the materiality of the body to the evanescence of the mind.

by following this route and considering the similarities between mind images and electronic images (they are both indefinite and volatile) we decided to use for our production of videos and electronic paintings only that our videocamera perceives of the reality through its electronic sensor.

that is to say an artificial point of view of the nature around us, but very similar to the way our brain perceive or imagine it.